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Less consistent across the scripts was the inclusion of prior characters from the respective franchises. To the dismay of many at New Line, the “Fred-Heads” stayed in the scripts for quite a while, gaining a leader who would be in the film as much as either Freddy or Jason. The most consistent elements throughout all the scripts actually came from the first two which were commissioned: Voris and Reiff proposed Freddy and Jason fight because an adult Freddy had raped Jason as a kid at Camp Crystal Lake, and Abernathy created a cult of Freddy worshipers, dubbed “Fred-Heads,” whose goal was to resurrect their “spiritual leader” at any cost. The box office failure of the equally strange New Nightmare completely killed that concept.
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Moore putting Jason on public trial ala the then on-going O.J. The screenplays De Luca kept ordering were wildly different, often bordering on batshit crazy, the most extreme of which was Brannon Braga and Ronald D. Moore and his lovely Battlestar Galactica ladies Simpson, and Freddy having molested Jason at Camp Crystal Lake Ronald D. 3. The unused scripts included concepts like “Fred-heads,” Jason becoming O.J. Over the next couple of years Mark Verheiden ( Timecop, Smallville, Battlestar Galactica), Jonathan Aibel and Glenn Berger ( King of the Hill, Kung Fu Panda), and Peter Briggs ( Hellboy) would all get a shot. Then Scream came out, and the rules completely changed.Īnything they had before was junked. Goyer ( Blade) and James Dale Robinson ( The League of Extraordinary Gentlemen) re-wrote Voris and Reiff’s script, which special effects guru Rob Bottin ( The Thing, Legend, Total Recall) was briefly attached to direct. They were finally getting somewhere when David S. Schow ( Nightmare on Elm Street 5) a shot because he quite literally just happened to walk by his office one day. Moore ( Star Trek: First Contact), and eventually gave David J. So, De Luca commissioned others from writing partners Brannon Braga and Ronald D. Jason script while Sean Cunningham did the same with Lewis Abernathy ( Deepstar Six, House IV).
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Michael De Luca was enthused enough to invite Tales from the Crypt: Demon Knight‘s writers Cyrus Voris and Ethan Reiff take a crack at a Freddy Vs. Still, Jason Goes to Hell did sneak in this ending: According to director Adam Marcus, New Line executives didn’t know about this shot until they saw it at test screenings with audiences Cunningham then rushed out Jason Goes to Hell (1993), but it as well as New Nightmare set respective franchise lows at the box office. Jason happen, but Wes Craven’s unexpected return to the Freddy franchise with New Nightmare (1994) put all of that on hold. Original Friday director Sean Cunningham and New Line’s Head of Production Michael De Luca worked together to finally make Freddy Vs. New Line spent $6.8 million to develop 18 different scripts by more than a dozen screenwriters over 10 yearsīy the early ’90s, Friday the 13th had crapped out at the box office, causing Paramount to walk away and New Line to scoop up the film rights on the cheap. That was a sucker’s deal, and New Line knew it. All New Line would get out of it would be the international distribution rights. The franchise was still profitable but on the financial decline whereas New Line, a relatively new independent film studio, had just hit big with Nightmare on Elm Street 3: Dream Warriors. Paramount thought it could just push the new kid around, strong arm New Line into licensing Freddy to them so they could make and completely control a Freddy Vs.
In 1987, Paramount owned Friday the 13th, which was coming off of Part VI: Jason Lives. Jason in 1987 Jason’s James Bond moment at the start of Jason Lives Paramount first approached New Line about doing Freddy Vs. Jason‘s development is one of Hollywood’s most infamous cases of development hell.ġ.
Jason isn’t really worthy of such a response.īut it could have been a lot worse, especially considering how long it took to finally happen and the truly crazy directions it almost went along the way. It’s one of my most cherished filmgoing memories. “Jason, Jason, Jason!”) and regularly talked back to the screen. Large portions of the raucous crowd regularly erupted into competing chants (“Freddy, Freddy, Freddy!” vs. Jason at a sold-out, opening night screening which felt more like a sporting event than a movie. Jason (2003 ), aka, the bastard child of a thousand re-writes
You can see our other Nightmare on Elm Street lists here, and you can see our other Friday the 13th lists here.